My Imaginary Conversation with a Dead Architect

Eames Quote

O wise and honorable, dead architect, what do you mean the details aren’t the details? If they aren’t the details, then what are the details?

There are no details.

Huh? There are no details? How can…?

Of course there are details, they make the design. They create the big picture. Aren’t you paying attention?

Wait a minute. Didn’t you just say [finger quotes] there are no details? Yet somehow, these nonexistent details create the big picture?

[slight, enigmatic smile] There is no big picture, either.

O.k., Yoda, now you’re just messing with me.

Calm down, apprentice. Perhaps you are familiar with Schrodinger’s cat, a thought experiment in quantum mechanics that posits we cannot know the state of a cat’s existence until it is observed? A similar concept applies here. If you observe (focus on) the big picture, then there are no details. Observe the details, voila, no big picture. We are incapable of focusing on both simultaneously. You know, can’t see the forest through the trees and all that.

So, there are details and there is a big picture, but never at the same time?

Think of it this way, the whole is the sum of its parts, right?

Right.

Wrong.

Oh, c’mon!

The whole and the parts are one and inseparable. While the whole may be considered as merely the sum of the parts, the whole is also the raison d’être for the parts. The parts cannot be conceived without the whole. So, the parts are as much of the whole as the whole is of the parts.

Uh…[hesitantly] yeah.

Let me give you an example. Most houses designed today are functional, but uninspired. And, frankly, uninspiring. Why? Because, when most people create a house, they focus on the big picture and work linearly to create the parts. They inevitably start by designing the floor plan, erroneously assuming that it is the most important aspect of a home. When the floor plan is complete, they extrude the walls up about 10 feet, throw in some windows and cover it with a roof.

But, dead Master, that is not great design. That is not even good design.

Of course not, but it is easy, and most people have neither the time, talent, training or patience to create good design. The focus is typically on expediency, speed and cost.  That is why we so value good design when we see it. It is rare.

Hey, this is starting to make some sense.

To craft an exceptional home, one must start by designing the whole and all the parts at the same time, the roof, the walls, the plan, the landscape, the kitchen, the exterior, and especially the three dimensional spaces. Each part affects the design of the whole, and in turn the whole affects each Part. Parts also affect other parts. It’s as though you are a ping pong ball bouncing back and forth between parts, as they all slowly coalesce into a whole. The plan is but one piece of the whole.

Remember Schroedinger’s cat? Well, there are lots of ways to skin it, just like there are countless alternatives for a good floor plan. Why lock in on one plan at the expense of everything else? We must let all the parts of the home shape the plan, in addition to the plan shaping the parts. Keep in mind, we don’t live in plan. We live in three dimensions, and that is how we should design.

Now, I understand! This explains why I am always flustered when a potential client asks me to just “do a quick design” of a home to see if they like it before we get too far along in the process. I cannot do it because the process of good design does not allow it. How can I know what the exterior will look like when I haven’t designed the interior spaces? How can I design the interior spaces before I know how the landscape will affect the views from those spaces? It’s all a giant tapestry, or puzzle, where everything affects, and is affected by, everything else.

Very good. You have made much progress. I shall leave you with one last thought. All along you have assumed I was discussing architecture and design. You were so focused on the details of your own profession, instead of [finger quotes] the big picture, that you didn’t realize I was, in fact, actually talking about… life. 

Another Perfect Pen

Tronnovate - Takumi Pure

What makes this pen so cool? Choices. And options. Options with choices. Options with options.

Tronnovate - Takumi Pure

  • The minimalist  Takumi Pure, from Tronnovate, a recent and astutely managed Kickstarter project, accepts every worthwhile ink refill on the planet (slight bias, here). Most importantly, it accepts the venerable Hi-Tec-C ink cartridge, the staple of my stable (write that three times, fast – without the ink skipping. My Hi-Tec-C can.).
  • Because it is constructed from light-weight aluminum (not a bit of cheap plastic anywhere), it is the obvious choice of weight conscious astronauts and long distance runners. And, tight-rope walkers.

Tronnovate - Customizable Pen Tip Length

  • The tip is adjustable (the length it protrudes from the barrel), so you can set the angle-of-attack to fit your writing preference.

Tronnovate - Removable Clip

  • It comes with two cap options (dome or flat).
  • The pocket clip is removable! I can’t emphasize how much I appreciate this option. Plus, the clip works fabulously on thick materials, like a leather briefcase or the pocket of your jeans. And, it doesn’t snag.

Tronnovate - Mix and Match

  • You can mix and match components between pens with different finishes. The black body with silver tip doubles, in a pinch, as a magic wand for your kid’s school play. How cool is that?

Tronnovate - Minimalist with Options

  • The branding is subtle and doesn’t detract from the aesthetic.

What’s most impressive? All these features come in a beautiful, minimalist design. Minimalism, by definition, strips an item down to its minimum function and aesthetic, leaving no room for customization and options. But, these people managed to break that rule without breaking it. Congratulations, Tronnovate!

A Great Place to Go, to Get to Someplace Else

Like pirates, boats and booty? Try Saint Malo – a medieval port town in northern France. Once the smarmy haunt of pirates (but not Johnny Depp, smarmy), there are still masts everywhere (but newer masts, and no sign of Johnny).

Tim Bjella Sketches - Fishing Boat at Saint Malo

Saint Malo - Tim Bjella
Tim Bjella, typical tourist

Robyn and I passed through Saint Malo back in 1990, a stepping stone on our way to the picturesque, but oh-so-touristy, Mont Saint Michel. We stopped here mainly to pick up some cheese and a loaf of French bread. After searching everywhere without success, a helpful Frenchman suggested, “We just call it bread here.”

Robyn Bjella - Saint Malo
Robyn Bjella, taking a break from taking a break

Saint Malo has great beaches, but cold water. It is a nice place to spend a few hours walking the ramparts and sketching the boats before moving on to somewhere else, possibly somewhere with more Johnny, and booty.

Tim Bjella Sketches - St. Malo, France

St-Malo
A loooooooooooooooong jetty protects the harbor

Amazingly, this town was reduced to rubble during World War II by an Allied mortar attack intended to oust thousands of reported Nazis who were barricaded within. Turns out the reports were incorrect. There were fewer than a hundred. Oops.

A Nice Walk Along the Breaker

A stroll along the ramparts (or jetty, or wall, or… well, you can walk on top of just about everything here)

Think glass is weak? Think again.

Willis Tower Glass Observation Pod

Despite years of practice, Robyn, Beck and I are not levitating 103 storeys above Chicago (20 feet is about our limit). And, no, our magic carpet didn’t suddenly vanish, either – if I had a magic carpet, I certainly wouldn’t be bragging about it on a blog. Obviously, I’d be planning world domination, so I could make all of you my minions. Let’s just take a moment to revel in that thought…

Willis Tower Above the CloudsAnyway. If you wake up in the middle of the night with an irrepressible urge to walk on glass that is higher than the clouds, Chicago’s Willis (formerly Sears) Tower is the place to be. You might want to wait until they open in the morning, though. I’d hate to read about your bullet ridden corpse in the paper. Not to mention, I’d have one less minion.

Seriously, though. I don’t have a magic carpet.

Once the tallest building in the world, the Willis skyscraper was recently retrofitted with glass boxes that project beyond its facade. While I understand the engineering behind this, it still makes me nervous. Maybe that’s why it makes me nervous.

The glass floor is not resting on a steel frame (i.e. strong and unbreakable) like you would expect. It is suspended by little bolts drilled through it and attached to the side panes of glass by a few moreWillis Tower Observation Pods bolts. So, the glass floor is actually supported by the glass walls. The glass walls are themselves supported by a steel frame at the top (finally, some steel!) via more holes and bolts. That’s a lot of holes between you and the pavement below. The glass floor relies on the integrity of the swiss-cheesy glass walls to support the entire weight of you, hordes of well fed tourists and the glass box. Hope you didn’t eat a big lunch, too!

Also, did I mention you are walking on glass? Yes, it’s thick and laminated, and a magnificent work of engineering, but it’s still glass.

Willis Tower Observation Pods from Above

Willis Tower

Crowning the Tower. It’s Just Like Legos! Not.

Bjella Architects Sonoma California Tower

“Do the workers on the job site ever throw things at you”?

“Have you ever had a nail gun “accidentally” discharge into your thigh?”

“Do you have to dodge dirty buckets of water tipped from floors above”?

The answer to these questions is no, but probably should be yes. Why? Not because architects are mortal enemies of contractors (usually it’s more of a love fest with our contractors – we are fortunate to work with the best), but rather because we often push them to extremes.

This house and winery in Sonoma, California is a good example. Its heavy timber “crown” was painstakingly built on the ground and lifted by crane to cap the home’s lookout tower. It sure was easy to draw it on paper, but building it was somewhat more complicated. It is designed with concealed connections, which is where it gets tricky. You cannot simply nail or glue heavy timbers together. You have to bolt them (for some reason our clients don’t like their homes crashing down on them in the middle of the night – go figure). But we didn’t want to see the bolts.
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If you are wondering about the design idea, the inspiration, for this home/winery:

  • The tower is symbolic of a wine bottle (this is a winery after all!).
  • The crown is the cork in the wine bottle.
  • The arched, barrel roof is derived from a wine barrel lying on its side.
  • The colors and materials are natural and “of the vineyard.”
    • The lumber for the crown was milled from trees on the site.
    • The colors of the home are found in the surrounding soils and Madrone tree bark.
    • The stone emanates from a nearby quarry, selected to match the site’s natural rock outcroppings

 Silhouette of Modern Home in Sonoma California by Bjella Architects

For more about the vineyard and its fantastic wines, check out the Gustafson Family Vineyard.

See more of my work at Arteriors Architecture.

People Who Live in Glass Houses… Live in Our Houses. A Hilltop Home in Los Angeles, California by Bjella Architects

Los Angeles Hilltop Modern Glass House

In my neverending quest to create “art you can live in”, I present this home in Calabasas, California. But, not as art for art’s sake. Anyone can design a home as a piece of sculpture, or as a shocking statement, but the true art lies in creating an artful home that also embraces the occupants. A thoughtful home that cuddles them and makes them feel comfortable. A romantic home that enriches their lives with textures, light and pleasing spaces throughout their day; all the while breaking away from the standard memes that we think of as a traditional home.

Los Angeles Hilltop Modern Glass House View from Above

This provocative hilltop, floor-to-ceiling glass house just outside of Los Angeles, California provides stunning views of the city below across an infinity edge pool. Its flat roofs are green-planted and hold an extensive solar panel array along with water reclamation systems.

See more of my work at Arteriors Architecture.